“The reconciliation of the visual with the colorful psychedelic impulses of these luscious times… To find again the chant of origins, images that inscribe themselves in us like a double and that wave to us. To grope for… In the dark room of multinational ideas, I quiver and I mumble. Cinema of the inside and the outside, of the behind and the inside. In front of the magical mirror of multiple visions, I find the thread of my memory and open a little the family album of births and deaths. In front of the flood of multicolor impressions, cartoons, reanimated by passion and love of the man with the cardboard suitcase, I was waving my huge scissors and carving and re-carving like a sculptor inspired standing in front of his first work.”
— Pierre Clémenti, 1974.
Bobovnikoff Emily (1898-1945) - La Lecture
“No se puede utilizar el lenguaje de la publicidad para hacer películas contra el capitalismo” (Straub, 1971)” —
vía @migblah
Entrevista completa en LUMIÈRE.
Mi último texto para LUMIÈRE... -
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El analógico va a llegar…
Entrevisté a Bertrand Bonello sobre l’Apollonide…
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“Lost but now I am found
I can see but once I was blind
I was so confused as a little child
Tried to take what I could get
Scared that I couldn’t find
All the answers, honey”
Buenas Noches España, de Raya Martin. Crítica en revista Détour.
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